03/10/2017 08:00 PM PST
$8.00 – $10.00
Supporting Acts: Planes on Paper
Shelby Earl’s first two albums earned the kind of raves any musician would kill for. Upon hearing her 2011 debut, Burn the Boats, NPR’s Ann Powers called Earl her “new favorite songwriter,” and she wasn’t alone. Accolades followed from Rolling Stone to the Wall Street Journal and a million music sites in between that positioned her somewhere to the left of Neko Case, a few blocks from Sharon Van Etten, catercorner to Angel Olsen. She toured everywhere, playing with the likes of Loudon Wainwright, Rhett Miller, and Ben Gibbard of Death Cab for Cutie, who spoke for many people when he said Earl had “the most heartbreakingly beautiful voice in Seattle.” Two years later, she followed up with the equally powerful Swift Arrows, and returned to the touring trenches, startling audiences around the world with songs that laid bare an inner landscape full of darkness and loss, as well as the defiant resolution not to be consumed by them. Both records are gorgeous, painstakingly crafted, and, not to put too fine a point on anything, full of heavy emotional weather. (Not for nothing did Powers observe that Earl’s writes “for those of us who have been through a few things.”) But take a minute to consider what it means to have been through a few things. It suggests reaching the other side. Eight years after burning her (figurative) boats to pursue life as a professional musician, quitting her job, and forging a career, Shelby Earl found that her inspiration was leading away from the darkness and anger she so fruitfully explored on those first two LPs and toward the light that would yield her third, and most accomplished record to date.
228 W Sprague Ave
Spokane, WA 99201